5 minutes with Vidur.


Designers Raj Mistry and Richard Brand are the creative minds behind VIDUR. Together, they oversee all aspects of the design and creation process of their collections. 
Their designs are slick and refined, and look wonderful in monochrome. While only one half from a fashion design led background, Vidur. hone together with a shared gold... to design and create menswear that is "elemental, functional and enduring". While it is still an early endeavour, each piece holds an air of elegance, yet a sense of edginess and an alluring "street-cool" shines through. 


Beauty lies within the details of every piece of work, and the Vidur. ethos will inevitably evolve and become increasingly refined over the years. They have a happy-go-lucky attitude, but they don't want their garments to be "throw away" pieces of fashion. 
With a clean surface and the ability to layer durable fabric, the practicality of these designs makes you wish that the winter season lasted a little longer. Vidur. set the new precedent of hem variations, shirt tails, and slouchy relaxed lines and we spoke to both Raj and Richard about their brand and working practice. Read what they had to say here. 
How did you both meet, and equally as important, how was VIDUR. formed? 
Back when we were both studying in Edinburgh (Richard at the school of music and Raj at the college of art doing menswear) we worked for the same store that sold watches. Although we never actually spent a shift together we had mutual friends keeping us in the same ocean, but we’d never discussed working on a label at all, or anything even remotely close. By a complete stroke of luck/fate we bumped into each other at Raj’s graduate show before he went to the Royal College, got talking and the rest, as they say, is history.
AUTUMN/WINTER 2013 
Models: CJ Chukwumah & Shubomi Shonibare
Photographer: Oliver Benton 
Stylists: Olivia Rose-Hulme & Jeanie Muldownie




Having started little over a year ago, how do you feel you have progressed as menswear designers in terms of creating "functional yet enduring" garments?
Our overall aesthetic hasn’t changed, but as with anything creative, the more you do of it, the more a feeling you have for it and the more your ideas become clearly defined. We’re like a pair of 1 year old leather shoes – way past the initial breaking in stage and just entering the nicely worn in, comfortable stage.
Do you feel that working as a team helps you to develop your ideas?
Absolutely. We know eachother’s strengths well and are in sync when it comes to what we’re trying to achieve. For us both to have a sounding board to bounce ideas off keeps us in check and stops us from doing anything too silly/weird/wacky.
For our readers, describe a normal day at the VIDUR. HQ.
We’re actually pretty disciplined – we’ll set out what needs to be done that day and just get to it. Normally it all falls apart at lunchtime though; one of us is a fancy eater and one of us always wants beans on toast. You can guess who is who.


Where do you find your inspiration? Do you follow any of the current menswear trends?
We’re heavily influenced by Nordic design and its focus on durability, functionality and use of natural materials. This stays constant so in a way stops us from picking up on trends and fashions. That’s not to say we don’t keep our ear to the ground – what’s great at the moment is that there’s a massive spotlight on menswear with so many great designers getting the attention they deserve.
Who is your target audience? Do you have a particular image in mind when creating your designs.
There’s no particular stereotype. We hope whoever wears it has chosen it because they appreciate what we’re trying to achieve.
Do you start designing with a concept in mind or do you let your ideas develop as you work?
We work from the top to the bottom, like an upside down pyramid. We look at the season as a whole at the very beginning and treat it as one body. Then we start drilling down into garment styles, its function, the pattern itself, details, finishing and all the other smaller but still really important points. Throughout all this, fabrication and production stay at the front of our minds.



Is there anyone in the industry that you admire, and why?
We’re big fans of Jeff Griffin – he’s been plying his trade since '94 and is good friend of Raj’s. The way he takes ‘urban vs country’ aesthetic always works well. More recently James Long has really impressed in use of knit [he’ll be Raj’s design tutor at RCA next year}.
Could you describe your work in five words?
Elemental, functional, enduring, timeless (but) contemporary.
Do you have any exciting plans for 2013?
We’re in the process of completing a pre-SS14/resort capsule that we’ll develop into the full mainline collection. Anything else would be telling!

WWW.VIDUR-MEN.COM

See this post on the NOCTIS Magazine blog here




"Land of the Innocent"





WATCH THE [OFFICIAL] NEW VIDEO FOR "LAND OF THE INNOCENT" , BY EDGY FEMALE QUARTET, FEATHERS. COURTESY OF PURPLE PR

BlackWater Revue

The formerly known Shatterpoint are back. 

They are back as BlackWater Revue; the four-piece from Kent with a heavy blues/hard rock sound. Influenced by everything from Jim Morrison and the allure of The Doors, the innovation of Led Zeppelin to even the sludge of Black Label Society, BlackWater Revue say they have got to be heard. Writing songs based on life experiences, they have a genuine feel. They have an honesty about them and the "wealth of musical material" that is at their disposal transcends into something vastly creative and entertaining.

As with any new start, it's a slow progress, but with more gigs, more songs and more fans as the weeks go by, BlackWater Revue are heading in the right direction. With an exclusive look at some 35mm studio shots, I spoke to front-man, Ed Stone, and drummer, Tom Harrison.


So, where did the name BlackWater Revue come from?

Tom Harrison: I'm not too sure how we finally decided on this name, it seemed to have been mentioned as an idea and it kind of just stuck

Ed Stone: Well, after hours of coming up with new names, the boys arrived at "Blackened Waters" - I turned around and said, "What about BlackWater Revue?". I liked the idea of travelling sideshows and saw it as a sort of statement of intent. We want to take our "show" all over. The boys liked it and here we are [laughs].

How has the "new name, new start" ethos been working out so far then?

ES: On one hand it has been really refreshing to write new material with a different approach to sound, seeing our old fans enjoy the new material, and open ourselves up to a wider audience. But on the other hand, it has become more of a slow-burner than a supernova as we all have other commitments that we must try to honour first. When that is all aside, there will be no stopping us.
Vocalist, Ed Stone


Guitarist, Mark Graham


What are your plans for this year, both as a band and individually?

TH: This year we plan to gig as much as possible so we can promote the new name and our new tracks; hopefully with a summer tour? And of course get a debut EP out there there we can think about an album

ES: As a band we want to get our new songs recorded, release an EP at some point and to tour or get involved with some kind of festival. Personally, as I said before, it's shaping up to be an eventful year. My passion outside of the band is Art and Design. I've got a degree in Graphic Design and Visual Communication but I'm working full time as a chef. The hours are long, late and debilitating which is creatively stifling, although I do sneak the odd writing session in on my breakfast shifts. To become a full time artist/designer by day and front man by night is the time.


Drummer, Tom Harrison

Bassist, Joe Green

Where do you feel your creative inspiration comes from?

TH: Drum and bass to blues, any sort of beat can kick start an idea. 

ES: It comes at the most unsociable of hours. Fortunately, I keep a notebook on me most of the time or I use my phone. I'd say I'm inspired by my friends & family, loved ones & lost ones and the music I both love and hate.

How do you set out to write new material?

ES: Generally we fit the songs together like a puzzle. It often starts with me coming into practice with a vocal hook or Mark [Graham, guitarist] with a riff or a melody. Then it evolves and we work with it until we're happy. We bounce off of each other.

TH: Yeah, we have always been able to write songs with the same amount of effort as it takes to write your name! I believe it comes naturally to us, it always has. There has never been a set plan on how to write a BlackWater Revue song.

What has been the defining point of being in a band for you?

TH: Recording the album and getting it printed has to be the major defining highlight for me in the band. To have a physical copy of your own efforts is brilliant!

ES: While it's still early days for the Revue, the highlight overall has to be shooting the music video for "Trainwreck", we shot it all in one day and it still looks awesome. Jim Cross did a fantastic job and the rest of the crew were brilliant, you can watch it here:



Are you working on anything at the moment?


TH: We have just finished writing a song at our last band practice, just a bit of touching up and then onto the next one.

Could you describe a typical BlackWater Revue band practice?


ES: We rehearse, we work on new songs, the we piss about. It's supposed to be a laugh after all. I just feel bad for Joe [Green, bassist] sometimes, the things he has to put up with!

TH: Essentially it's 30 minutes practice, 30 minutes insulting one and other, and then 2 hours messing about.



Keeping the "new name, new start" ethos in mind, are you heading in a new direction musically?


TH: We're heading into a more rockier, bluesy feel compared to Shatterpoint, which had elements of metal throughout.

ES: Well yeah, I'd say we are. The vibe is a lot more positive now. It's more about having a good time and I'd say there is a lot more soul to the sound. We still haven't had that eureka moment where we think "YES! That's how we should sound!" It's fun to not be pigeon holed into one thing, it could end up getting a little stale. At the moment you can hear instances of post-rock, soul, the blues and then we'll hit you with a straight up classic rock groove. It's becoming a real good-time sound. 

It's sounding like you know what you want, so finally, describe the band in five words.

ES: I'll be cheeky and say, REAL MUSIC WORTH LISTENING TO.

TH: Large Big Tasty With Bacon.

A lovely choice of words from Tom Harrison, we wouldn't expect anything less.



BlackWater Revue are set on broadening their horizons and seeing what life brings to the table, and that's a fine moral to live by. Digital photographs from the BlackWater Revue studio shoot will be made public soon, and you can see behind the scenes here, you can also keep up with the band via their website.